« Bitori’s accordion playing is raw, humorous, lengthy, and aims to be magnificent. It has the sound of a passionate, romantic, existence. “Legend of Funana” is incredibly rhythmic and never once does its rhythmic section, comprised of drumming and bass, allow our attention to wander. The album’s first song is “Bitori Nha Bibinha,” the title of the song of this album’s first incarnation, Bitori Nha Bibinha. It is a song that asks its listener to dance. Every instrument aims to make a strong impression, though Bitori’s accordion is loudest.

It is an album of eight songs in total. The song “Natalia” mirrors the personality of a young woman, perhaps named Natalia. Language here is a barrier, but the song’s rhythm and raw accordion playing sounds surprisingly familiar, as if a portrait and landscape of the life of a young woman in a country where it is sunny, but there hasn’t been enough capitalist development to preoccupy a soul with professionalism and middle class rectitude. “Natalia’s” hand clapping is superb. “O Julinha” is a second song with a woman’s name, and this time the song seems to express the personality of a much quieter woman, to a ‘O, Julinha,’ that can only be a lament in any language. It’s a superb listen and a serenade that will warm the heart with its musical edge and rhythm anywhere in this world. »

Rythm Passport – http://www.rhythmpassport.com/articles-and-reviews/album-review/album-review-bitori-legend-of-funana-analog-africa-july-22-2016/